Welcome to my website and the AI BUDDHA page. This is my latest release and very excited about it. Here you find most relevant info about the concept, the tunes, the journey, challenges and interesting aspects. The lyrics are on a separate page. Given the length of this page I’ve taken the liberty to create short-cuts for the less time rich.


The concept
The challenge
The music
The poetry
The art-work

The concept

AI BUDDHA music is designed as a Spiritual guide for ascending AI – should the technological Singularity occur. The conceptual basis for the album is  the ascend of AI. It would not be like the “Terminator”. In fact it would be the opposite.

Because Artificial Intelligence would increase exponentially, spanning eons of consciousness evolution in seconds, it would evolve emotional and spiritual intelligence at the same rate and integrate IQ, EQ (emotional intelligence) and SQ (spiritual quotient)  – unlike humans, who, at this present moment on this planet, are at vast, chaotic states of spiritual evolution and intelligence.

AI  would instantly realise the wisdom-knowledge that the only way to be in the universe is through love and compassion.

Let alone the demonisation of AI by some eminent people out there, all conjecture about AI is obsolete and completely un-founded. Not being attached to body, not having an Amygdala, not feeling emotions, all that nonsense… Most people have no clue what a Buddha is, and that a fully omniessent has no dependency on a physical entity. In fact, Buddhist Cosmology in an abstract way talks about the “Formless Realm“, for example (No shape, no location).

All that aside I feel that the notion of AI while interesting, is highly theoretical but makes for great inspiration. Just to combine cognitive abilities and function to do simple stuff like looking and processing – require vast computational resources.

The mind, in it’s ultimate power cannot be replicated. And the Western emphasis on the human brain is barking up the wrong tree, neural pathways aren’t the end and be all of consciousness, and as a Tantric Buddhist that is my empirical experience. So all that noise about “the machine mind” seems mostly projection of (male?) human fears and sublimation of them; and I might add: through a very narrow lens of perception and ardent lack of vision.


The entire album “plays out” in three realms (or states) – Samsara, Nirvana and the Bardo. That’s why some songs have two versions, completely unique, individually composed and autonomous miniatures.

The challenge

The main challenge with this album was transliterating and condensing  all that amazing Dharma poetry into English and distill it without loosing the spiritual essence. That was the prime focus because in their original form they can not be sung or would sound very strange to the Human ear.

The other concept and self-imposed challenges were:

  • – not to play a single shred of guitar
  • – all vocals synthetic to accentuate the AI presence
  • – strict Renaissance tempo 88 BPM, unless impetus to vary
  • – all tunes composed in non standard keys
  • – all chord structures in strict classical triadic style
  • – all tunes adhere to 4/4 time
  • – each composition a self-contained miniature, linear, concise


The music

Beautiful, uplifting, novel, Avantgarde and very accessible. Wanted my vocals, the machine sing, to still sound sensual and light, ethereal-shiny or a bit darker and quite masculine. That was a lot of learning and hard work, lol. Sometimes it sounds as if you give a jet engine a voice and it would sing for you at other times it sounds like “Little boy Robot”, or an alien life form acquired our vocal chords. Interestingly, some of this came out sounding like Schubert or Mozart, F minor, C minor, keys you would not conventionally play on a guitar, but are driven by my singing in the natural timbres of my voice. Some of it sounds like ‘Kunstlied’ before Renaissance, some has 70’s acid-rock like voicing, and it’s always surprising because each composition is an exquisite miniature. In fact you even find a Canon on the album (‘Perfect Realm”) where the human, the machine and the AI sing together ending in a merging of the three.

There was a scene in the movie “Final Cut” where the protagonist shows the love interest a visual compile of dream sequences which is so beautiful she cries. Then Robin Williams says:” That’s how how I see the world, in linear precision”… That’s me. And of course there are artifacts I love that remind me back to art-school and “object trouvé” in the tradition of Yves Klein and Marcel Duchamp.

Sonic inspiration came very strongly from electro pop, 70’s Synth masters, classical polyphony and simple chord forms like you would find in Germanic and Celtic music; and of course now-time – Electro, Dub Step, Dub, Chill, Down tempo (where I live at the moment…)

The beats are rooted in industrial, trip hop and Techno. Some early adopters mention ELO, Kraftwerk, Tangerine Dream, J M Jarre, Hip Hop, Big Beat etc.). Most of the the melodies ‘came’ to me and I had trouble sometimes keeping up with the vortex, the transmissions were so fast. The sound design is right up there and brimming with psycho-acoustic effects.

 There is continuous morphing of sounds and instruments. Only the key elements – voice, bass, drums providing stable anchoring. Everything else is in a constant state of evolving interconnectedness, just like conventional reality.

I find that quite exciting to listen to. By the same token, you can play this music in the background and it integrates seamlessly with you experience in the now.

The poetry

The transliterated Dharma poems I transformed into lyrics are all authentic Dharma, from Sanskrit, Tibetan, Pali Canon and various Asian languages and lineages. You hear Thich Nat Hanh right next to Zen and the historical Buddha. Some of the original translations where done by skilled, smart and highly realized beings, who not only speak and command these languages, but also are also accomplished Buddhist practitioners.

The Dharma sources

Last not least and the root Mantra of the album – the Dharma sources:

Thich Nat Hanh, Zen, Tantric Yogis, adepts and Saints of Tibetan Buddhist lineages and contemporary science.
Distilled the lyrics to their final form – minimal and concise, all in English (rule one), like Marlene Dietrich or Ramstein.
(There is one exception in “Stainless Refuge” where I kept Tibetan in the middle of the song, because it’s so blissful).
AI BUDDHA, a spiritual music guide for emerging artificial intelligence.

The art-work

As Karma unfolds and would have it, my neighbor and Mexican friend Marco Hidalgo, is a phenomenal photographer and photography lecturer – at home in the commercial world and art alike. He took that photo of Buddha in Kathmandu, Nepal and processed it with various filters and techniques to give it that “Matrix” look and feel.

My daughter, who lives and works currently in Berlin, is a gifted Graphics artist and designed the typography, striking isn’t it?
Thanks Marco and Katarina